A working prototype of a system for building your own playable instruments.
A fully-working prototype of a modular system for building your own instruments and playing them live. Patch a few modules together, save some patterns, drop in a controller module to transform it into whatever you want it to be — a live performance instrument, a DAW-friendly tool, an ever-evolving sound installation. Available to get your hands on right now. The finished version ships later this year, and you get both.
Modular is one of the most creatively alive ways to make sound. The dialogue you get into with a patch — hearing what it wants, responding, shaping it back — is part of what makes it so good.
But there's always been a gap between building a patch and performing with it. Once you've got dozens of interacting parameters, mapping them into something you can actually play in real time is a whole separate project. Flow breaks. You stop patching and start wiring up control schemes.
This system is designed to collapse that gap. Every instrument you build is playable the moment it exists. A controller module is the bridge: drop one in, and your instrument is instantly mapped to a keyboard, a hardware controller, or an automatic process that plays it for you. Swap controllers and the same sounds become a totally different instrument.
The goal is flow — one continuous creative state that runs from the first patch cable all the way to the live show.
Five ready-to-play patches, nine instrument modules, four FX modules, eleven controller modules. Everything you need to start patching, performing, and building your own.
The ready-to-play starting points. A blank slate plus four patches I've built.
The sound-making modules. Patch them in and they start playing immediately. Each has its own presets, randomiser dice, and controls.
This is where it really comes alive. Controller modules take the instrument you've built and transform how you interact with it. Drop in Loop Pack and your instrument is playable from a keyboard. Drop in Wander instead and it plays itself. Same sounds — completely different instrument.
If you want to go module by module and see the whole system from the inside, this is the long one. Unscripted, live-stream style — every module patched, explained and demonstrated.
You'll need a full licence of Reaktor 6 (the latest version, 6.5). If you own Native Instruments Komplete, you already have this. Reaktor Player is not sufficient — you need the full version to load and edit the system.
Different patches use different amounts of processing power. The simpler presets run comfortably on modest hardware, but the larger patches — especially ones using multiple FX modules in parallel — benefit from a recent CPU. If you're on an Apple Silicon Mac or a modern Ryzen / Intel machine from the last few years, you'll be fine. If you're on older hardware, stick to the lighter patches and smaller module counts.
If you want to understand where this system is going and why, I've written a whitepaper setting out the unmet need, the imagined user journeys, the design principles, and the long-term vision. It's part one of a longer document — the technical implementation details will follow in part two.
Everything below is either already working in the prototype, or being built for the full launch later this year. Buying now gets you both — the prototype as it stands today, and the finished version when it ships.
Mostly a launch-phase deliverable. The prototype is deliberately anti-designed — the raw Reaktor look — so the finished version can land as a reveal.
These are the parameters instrument modules will be able to send to and receive from another instrument module.
The layer that lets other people build their own modules for the system.
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